2021-22
“Structures and Ideologies of Whiteness in Collegiate A Cappella Auditions”
Society for Ethnomusicology, Virtual Conference.
2020-21
“‘A Fairly Honest Depiction’: Singing, Stereotypes, and Racial Tokenism in the Pitch Perfect Film Franchise”
Society for American Music, Virtual Conference.
“Whiteness as Vocal Aesthetics: An Examination of Judging Practices within Collegiate A Cappella Competitions” (Lise Waxer Student Paper Prize winner from the Popular Music Section of the Society for Ethnomusicology, 2019)
International Association for the Study of Popular Music-United States Chapter, Virtual Conference.
“Rewarding White Singers Who Sing Black: Solo Vocal Performance as Structural Sonic Whiteness in Contemporary Scholastic A Cappella” Society for Ethnomusicology, Virtual Conference.
2019-20
“Whiteness as Vocal Aesthetics: An Examination of Judging Practices within Collegiate A Cappella Competitions”
National Meeting of the Society for Ethnomusicology, Bloomington, IN.
2018-19
“Organizing Coalitions through Song: Bernice Johnson Reagon, Sweet Honey in the Rock, and Ella Baker’s Legacy”
Feminist Theory and Music, Boston, MA.